Who: St. Vincent & David Byrne
Where: The Centre in Vancouver for Performing Arts
When: October 20th, 2012
St. Vincent is a gloriously talented multi-instrumentalist singer songwriter. Now that's a mouthful to say. But how else would you describe St. Vincent? Alongside David Byrne (best known for being part of Talking Heads) they created eclectic and unique sounding music. A mix of genres ranging from jazz to rock to blues to soul.
They entered the stage at 7:30pm sharp and began an engaging show that would last close to 3 hours.
St. Vincent danced awkwardly whilst playing her electric guitar and David Byrne commanded the stage with his legendary presence.
They were accompanied by a horn section that added a soul and volume. The choreography that occurred on stage was entertaining and engaging.
The audience was a mix of old time listeners of Talking Heads and David Byrne and St. Vincent fans. This collaboration between the two distinctly unique artists created a blend of genres and sound.
It was electric.
For other reviews of this show click here and here
"Like Humans Do"
Tuesday, January 1, 2013
Scissor Sisters / Rye Rye - Commodore
Scissor Sisters
Guest: Rye Rye
Commodore Ballroom
June 20th, 2012
Some shows exude a kind of excitement that is palpable. You can almost grab at it and contain it in a glitter-filled bottle. My friend Dan and I were beyond excited for this show. We made our way to front of stage with some clever maneuvering and held our ground.
The last time we saw the Scissor Sisters was at Malkin Bowl in the pouring rain. Grrl it was pouring down and it wouldn't let up. That was a memorable show because we were in the presence of Queens. The Scissor Sister should be teaching glam lessons -- they are that fierce. They have managed to create a language that isn't degrading but celebratory. That in itself is worth the mention.
Rye Rye opened up the show and brought two incredibly handsome dancers with her. Her infectious dance tunes were contagious and had the entire audience dancing up a storm. I loved her unique aesthetic and her style. The back-up dancers though could hold their own. Rye Rye is the perfect opener for Scissor Sisters. Loved it.
Once Scissor Sisters hit the stage sounds from all around us erupted. I remember being really excited. It's just a visual dream being in front of such personalities. Jake Shears, Ana Matronic, Del Marquis and Babydaddy together create a symbol of freedom and fun. Favourite moments include "Let's Have a Kiki" --- that song became my dance jam for a while afterwards.
What is a Kiki you ask? Well... a kiki 'is a party for calming all your nerves"
It was so. Much. Fun.
i want to learn this dance. Notice how adorable Del Marquis is with his tambourine.
Let's Have A Kiki - Scissor Sisters
Guest: Rye Rye
Commodore Ballroom
June 20th, 2012
Some shows exude a kind of excitement that is palpable. You can almost grab at it and contain it in a glitter-filled bottle. My friend Dan and I were beyond excited for this show. We made our way to front of stage with some clever maneuvering and held our ground.
The last time we saw the Scissor Sisters was at Malkin Bowl in the pouring rain. Grrl it was pouring down and it wouldn't let up. That was a memorable show because we were in the presence of Queens. The Scissor Sister should be teaching glam lessons -- they are that fierce. They have managed to create a language that isn't degrading but celebratory. That in itself is worth the mention.
Rye Rye opened up the show and brought two incredibly handsome dancers with her. Her infectious dance tunes were contagious and had the entire audience dancing up a storm. I loved her unique aesthetic and her style. The back-up dancers though could hold their own. Rye Rye is the perfect opener for Scissor Sisters. Loved it.
Once Scissor Sisters hit the stage sounds from all around us erupted. I remember being really excited. It's just a visual dream being in front of such personalities. Jake Shears, Ana Matronic, Del Marquis and Babydaddy together create a symbol of freedom and fun. Favourite moments include "Let's Have a Kiki" --- that song became my dance jam for a while afterwards.
What is a Kiki you ask? Well... a kiki 'is a party for calming all your nerves"
It was so. Much. Fun.
i want to learn this dance. Notice how adorable Del Marquis is with his tambourine.
Let's Have A Kiki - Scissor Sisters
XX
The XX
Guests: John Talabot
Vogue Theatre
October 5th, 2012
I last saw The XX at Zulu records several years ago.
Their fame from then on grew quickly and they began to sell out shows.
The band, despite their assumed small sound had a great and memorable stage presence.
I remember them as timid and shy. They showed none of these attributes at the live show at the Vogue Theatre.
I loved their aesthetic. Romy, Oliver and Jaime were all clad in black and in stark contrast to their white stage design. Jaime's percussive collection grew three sizes since and their sound has evolved.
With their newest album 'Coexist' they managed to keep their signature lull and mysterious sounds.
They opened with Angels and throughout the set the audience met them with enthusiasm.
Oliver swayed and swooned the audience with his deep vocals and this bass lines.
Romy stares intensely out into the audience as if she is searching for something or someone.
Jaime is focused and with his head down he beats out the heart of the band. With his drums and his kicks.
Romy, Oliver and Jaime together create a cohesive and engaging sound that invites the listeners into their hearts and their souls.
They put on an inspiring show.
XX - Live at KEXP
Guests: John Talabot
Vogue Theatre
October 5th, 2012
I last saw The XX at Zulu records several years ago.
Their fame from then on grew quickly and they began to sell out shows.
The band, despite their assumed small sound had a great and memorable stage presence.
I remember them as timid and shy. They showed none of these attributes at the live show at the Vogue Theatre.
I loved their aesthetic. Romy, Oliver and Jaime were all clad in black and in stark contrast to their white stage design. Jaime's percussive collection grew three sizes since and their sound has evolved.
With their newest album 'Coexist' they managed to keep their signature lull and mysterious sounds.
They opened with Angels and throughout the set the audience met them with enthusiasm.
Oliver swayed and swooned the audience with his deep vocals and this bass lines.
Romy stares intensely out into the audience as if she is searching for something or someone.
Jaime is focused and with his head down he beats out the heart of the band. With his drums and his kicks.
Romy, Oliver and Jaime together create a cohesive and engaging sound that invites the listeners into their hearts and their souls.
They put on an inspiring show.
XX - Live at KEXP
GOSSIP. Knows Best.
Gossip
Guests: Magic Mouth, Bonnie Montgomery
The Showbox Theatre
Seattle
October 9th, 2012
This is long overdue, apologies.
My friend Dan and I drove down from Vancouver to see GOSSIP.
I was obsessed with "Standing in the Way of Control" in High School and would dance to "Listen Up" in my room alone. I remember watching their video for that song and wanting to join in on the dance party.
We arrived at The Showbox while the opener was playing. Beth Montgomery a unique folk-blues band accompanied by Nathan Howdeshell on guitar. That was particularly exciting for me. I had placed Hannah Blilie, Nathan Howdeshell and Beth Ditto on gloriously unreachable platforms and regarded them as leaders in developing my sense of interests. I looked to Gossip to solve by teen angst and guide my liberal beliefs. Beth joined the band to sing a song and my inner high school love of Gossip exploded. I wanted to reach them with my love as much as they have reached me with their music.
The second opener was Magic Mouth and they were phenomenal. They are a funk-driven blues-inspired band with a fierce combination of uniqueness, nerve and talent. I danced my socks off to them.
I had noticed almost immediately that the crowd was strange. It was an all ages show and I wasn't used to being around so many young people at a show.
While the opener was playing we went and got drinks. Out of the corner of my eye at the bar, I saw Hannah Blilie with her girlfriend enjoying the show. It was a really exciting moment for me to see someone I had obsessively admired just a few feet from me. It was memorable and really set up the night to be a great one.
Once Gossip entered the stage the audience erupted with cheers
I loved the show with all of my nostalgia.
Beth's bluesy and strong voice, Hannah's persistent and driven drum kicks, Nathan's signature guitar solos and Nick's blues driven bass lines all filled the room with an enormous sound.
Beth was animated and hilariously interactive. Nathan was shy and focused on his playing. I had my eyes glued on Hannah most of the time because I had developed a slight fascination with the handsome drummer.
Men in Love drove the audience wild. I sang along to every word and rejoiced in the celebration of love. Yr Mangled Heart is a classic favourite and sent the audience into disarray. We were a fury of excited happy energy and pettiness apparently. Just arms reach away from me two audience members were in an argument after one of them tried to push past the other. Some people do not understand concert etiquette. The way you maneuver yourself from the back of the audience to the front of stage is a strategic art form. You do it as you dance. This argument turned into a physical fight that involved hair pulling, nail clawing and saliva spitting. The end result was a massive sway in energy and furious pushing.
That aside, the two girls who stood beside me did just that for the entire concert. They stood. They didn't dance, neither did they seem very happy nor excited that Gossip were just a few feet from them. I didn't like this type of energy at all. It drained me and effected how I wanted to dance to Gossip. Regardless of others peoples questionable concert etiquette I danced to my whole-hearts content.
They played Standing in the Way of Control, Heavy Cross and a Tina Turner Cover "What's Love Got To Do With It" = Memorable.
I loved this show and will always think back to this trip to Seattle with my best friend.
I wish though that the sound was louder, that the audience was wilder and that Gossip would emit the same punk angst energy that they did on their earlier records.
Nonetheless, I was not disappointed. This show will be one the memorable ones of 2012.
Guests: Magic Mouth, Bonnie Montgomery
The Showbox Theatre
Seattle
October 9th, 2012
This is long overdue, apologies.
My friend Dan and I drove down from Vancouver to see GOSSIP.
I was obsessed with "Standing in the Way of Control" in High School and would dance to "Listen Up" in my room alone. I remember watching their video for that song and wanting to join in on the dance party.
We arrived at The Showbox while the opener was playing. Beth Montgomery a unique folk-blues band accompanied by Nathan Howdeshell on guitar. That was particularly exciting for me. I had placed Hannah Blilie, Nathan Howdeshell and Beth Ditto on gloriously unreachable platforms and regarded them as leaders in developing my sense of interests. I looked to Gossip to solve by teen angst and guide my liberal beliefs. Beth joined the band to sing a song and my inner high school love of Gossip exploded. I wanted to reach them with my love as much as they have reached me with their music.
The second opener was Magic Mouth and they were phenomenal. They are a funk-driven blues-inspired band with a fierce combination of uniqueness, nerve and talent. I danced my socks off to them.
I had noticed almost immediately that the crowd was strange. It was an all ages show and I wasn't used to being around so many young people at a show.
While the opener was playing we went and got drinks. Out of the corner of my eye at the bar, I saw Hannah Blilie with her girlfriend enjoying the show. It was a really exciting moment for me to see someone I had obsessively admired just a few feet from me. It was memorable and really set up the night to be a great one.
Once Gossip entered the stage the audience erupted with cheers
I loved the show with all of my nostalgia.
Beth's bluesy and strong voice, Hannah's persistent and driven drum kicks, Nathan's signature guitar solos and Nick's blues driven bass lines all filled the room with an enormous sound.
Beth was animated and hilariously interactive. Nathan was shy and focused on his playing. I had my eyes glued on Hannah most of the time because I had developed a slight fascination with the handsome drummer.
Men in Love drove the audience wild. I sang along to every word and rejoiced in the celebration of love. Yr Mangled Heart is a classic favourite and sent the audience into disarray. We were a fury of excited happy energy and pettiness apparently. Just arms reach away from me two audience members were in an argument after one of them tried to push past the other. Some people do not understand concert etiquette. The way you maneuver yourself from the back of the audience to the front of stage is a strategic art form. You do it as you dance. This argument turned into a physical fight that involved hair pulling, nail clawing and saliva spitting. The end result was a massive sway in energy and furious pushing.
That aside, the two girls who stood beside me did just that for the entire concert. They stood. They didn't dance, neither did they seem very happy nor excited that Gossip were just a few feet from them. I didn't like this type of energy at all. It drained me and effected how I wanted to dance to Gossip. Regardless of others peoples questionable concert etiquette I danced to my whole-hearts content.
They played Standing in the Way of Control, Heavy Cross and a Tina Turner Cover "What's Love Got To Do With It" = Memorable.
I loved this show and will always think back to this trip to Seattle with my best friend.
I wish though that the sound was louder, that the audience was wilder and that Gossip would emit the same punk angst energy that they did on their earlier records.
Nonetheless, I was not disappointed. This show will be one the memorable ones of 2012.
Friday, November 30, 2012
Gossip - I Wanna Be Your Dog
Gossip - I Wanna Be Your Dog
This Iggy Pop cover by Gossip is an amazing burst of punk rock energy and uninhibited actions.
Love this so much.
GOSSIP : I wanna be your dog - MYTARATATA.COM
TARATATA N°329 (Tour. le 10/09/09 / Diff. France 4 le 18/11/09 & France 2 le 20/11/09)
TARATATA N°329 (Tour. le 10/09/09 / Diff. France 4 le 18/11/09 & France 2 le 20/11/09)
This Iggy Pop cover by Gossip is an amazing burst of punk rock energy and uninhibited actions.
Love this so much.
Cat Power @ Vogue Theatre
Cat Power
Vogue Theatre
Guests: Entrance
November 2nd, 2012
The crowd was buzzing with excitement.
Incense, candles, tarot cards and flowers littered the stage around Chan Marshall's microphone. It set the stage for the memorable night.
As smoke began to fill the stage, Cat Power finally set foot into the historic Vogue Theatre around 10:45pm and everyone showed their excitement. I couldn't believe that she was standing right there in front of me. This beautiful talented musician that I had always admired. I was fearful that she would cancel the tour after she had stated that she was dealing with health issues and was almost bankrupt!
I wanted to support her with all my might.
Cat Power was accompanied by 3 female musicians and a male multi- instrumentalist. The female musicians exuded an energy that grounded the audience. They were all clad in black and this set the stark contrast between stage lights and performers. They shredded on guitar, kept rhythm on percussion and added depth of sound with bass/keys and vocals.
From the moment Chan set foot on stage a smile crept onto my face and stayed there for the entire show. I had, unbeknownst to me, become really emotional. I had never cried at a show before but I was close to it. If an artist can garner that type of reaction from me, her music of course has been very influential in my life. This reaction to seeing her was strange, for me at least its uncommon to be this emotional. I suppose my body reacts to what the mind delays. Relief. Happiness. Maybe even disbelief.
Chan Marshall had a bleached blond androgynous hair cut. I missed her gorgeous straight bangs and long hair but this new look really allowed her to transform. She squirmed and twisted her body while she sang strained lyrics into her microphone. She was sick that night and would cough away from the microphone and wouldn't miss a lyric. Dedication.
She pulled awkwardly at her black jeans and stood near the edge of the stage while performing. Making her way from one side of the stage to the other she claimed her space and it spoke to us, she spoke to us. She made sure that her eyes locked with each and every one of us. Pulling us in closer and engaging us-- we were all accountable -- we were not just shadows in the crowd. We were part of the show.
One of my favourite moments was during her song "Bully" the stage lights dimmed and the spotlight focused on her. Her band-mates were in shadows and she poured her hurt all over us.
This performance was chill and goose-bump inducing. I remember closing my eyes and rolling my head back. It made sense to pause and just listen.
Not all moments can be perfect though, during this intimate moment two people in the front row decided to bicker, this caught Chan's attention and her quick words of"It's terribly rude to talk [during the song]" shut them up. Good thing too, because not long afterwards an audience member fainted and had to be carried out, but not before Chan handed her a water bottle and called for security help.
I appreciated this-- as a fan of music you hope that the musicians that you admire are people with a conscious and have heart. Chan Marshal has all of this and more.
She played several songs from her new album 'Sun' and some classics. She re-worked most of her older songs and you had to really listen to recognize them. She opened with a re-worked version of "The Greatest" and followed with an incredible set list. One of the songs that received the loudest cheers were "Cherokee"as well as when she ended with 'Ruin', notably her strongest song off of her new record. She threw flowers into the audience at the end and we all reached our eager hands up to grasp some essence of her.
Cat Power didn't give an encore although most of us stayed after the lights came up and continued to clap. We were hoping that maybe they would indulge us with one more song. They understandably, didn't.
I left the show loving her more than I would have thought. She found time between songs to sign albums and posters from audience members. She graciously accepted gifts from the audience: gloves, letters and flowers. Giving away set lists and blowing kisses. I haven't seen many artists sign albums during the show before and seeing this warmed my heart.
I'm not sure why... maybe because it means that we in some small way matter to her and she needs us just as much as we need her.
Set list:
The Greatest
Cherokee
Silent Machine
Manhattan
Human Being
Kings Ride By
Sun
Bully
Angelitos Negros (Pedro Infante Cover)
Always On My Own
Back In the Days
3, 6, 9
Nothing But Time
I Don't Blame You
Peace and Love
Ruin
Cherokee - Cat Power
Vogue Theatre
Guests: Entrance
November 2nd, 2012
The crowd was buzzing with excitement.
Incense, candles, tarot cards and flowers littered the stage around Chan Marshall's microphone. It set the stage for the memorable night.
As smoke began to fill the stage, Cat Power finally set foot into the historic Vogue Theatre around 10:45pm and everyone showed their excitement. I couldn't believe that she was standing right there in front of me. This beautiful talented musician that I had always admired. I was fearful that she would cancel the tour after she had stated that she was dealing with health issues and was almost bankrupt!
I wanted to support her with all my might.
Cat Power was accompanied by 3 female musicians and a male multi- instrumentalist. The female musicians exuded an energy that grounded the audience. They were all clad in black and this set the stark contrast between stage lights and performers. They shredded on guitar, kept rhythm on percussion and added depth of sound with bass/keys and vocals.
From the moment Chan set foot on stage a smile crept onto my face and stayed there for the entire show. I had, unbeknownst to me, become really emotional. I had never cried at a show before but I was close to it. If an artist can garner that type of reaction from me, her music of course has been very influential in my life. This reaction to seeing her was strange, for me at least its uncommon to be this emotional. I suppose my body reacts to what the mind delays. Relief. Happiness. Maybe even disbelief.
Chan Marshall had a bleached blond androgynous hair cut. I missed her gorgeous straight bangs and long hair but this new look really allowed her to transform. She squirmed and twisted her body while she sang strained lyrics into her microphone. She was sick that night and would cough away from the microphone and wouldn't miss a lyric. Dedication.
She pulled awkwardly at her black jeans and stood near the edge of the stage while performing. Making her way from one side of the stage to the other she claimed her space and it spoke to us, she spoke to us. She made sure that her eyes locked with each and every one of us. Pulling us in closer and engaging us-- we were all accountable -- we were not just shadows in the crowd. We were part of the show.
One of my favourite moments was during her song "Bully" the stage lights dimmed and the spotlight focused on her. Her band-mates were in shadows and she poured her hurt all over us.
This performance was chill and goose-bump inducing. I remember closing my eyes and rolling my head back. It made sense to pause and just listen.
Not all moments can be perfect though, during this intimate moment two people in the front row decided to bicker, this caught Chan's attention and her quick words of"It's terribly rude to talk [during the song]" shut them up. Good thing too, because not long afterwards an audience member fainted and had to be carried out, but not before Chan handed her a water bottle and called for security help.
I appreciated this-- as a fan of music you hope that the musicians that you admire are people with a conscious and have heart. Chan Marshal has all of this and more.
She played several songs from her new album 'Sun' and some classics. She re-worked most of her older songs and you had to really listen to recognize them. She opened with a re-worked version of "The Greatest" and followed with an incredible set list. One of the songs that received the loudest cheers were "Cherokee"as well as when she ended with 'Ruin', notably her strongest song off of her new record. She threw flowers into the audience at the end and we all reached our eager hands up to grasp some essence of her.
Cat Power didn't give an encore although most of us stayed after the lights came up and continued to clap. We were hoping that maybe they would indulge us with one more song. They understandably, didn't.
I left the show loving her more than I would have thought. She found time between songs to sign albums and posters from audience members. She graciously accepted gifts from the audience: gloves, letters and flowers. Giving away set lists and blowing kisses. I haven't seen many artists sign albums during the show before and seeing this warmed my heart.
I'm not sure why... maybe because it means that we in some small way matter to her and she needs us just as much as we need her.
Set list:
The Greatest
Cherokee
Silent Machine
Manhattan
Human Being
Kings Ride By
Sun
Bully
Angelitos Negros (Pedro Infante Cover)
Always On My Own
Back In the Days
3, 6, 9
Nothing But Time
I Don't Blame You
Peace and Love
Ruin
Cherokee - Cat Power
Wednesday, July 11, 2012
Laura Marling
Laura Marling
Commodore Ballroom
June 27th, 2012
Doors 8 / Willy Mason 9:30 / Laura Marling 10:30
In the hours leading up to Laura Marlings' show, I tried to eat a proper meal but didn't have any appetite; I was too excited to finally see her headline a show. The Commodore Ballroom is a suitable venue for her droning and melodic folk tunes and acoustic songs.
I arrived just past 9pm and noticed that the floor was nearly empty. I walked straight to the front of the stage and planted my feet just a couple feet from where Laura would shortly be. I met a few fans who came down from Yellowknife and the Island just to see the show. That shows dedication, and well they respectively deserved their positions at the front of the stage.
Laura Marling looked lovely in her vintage red and white floral dress and white sneakers. She perched herself on her stool and launched into her first song. The audience was rowdy with excitement but was quickly hushed to a pin-drop silence with Laura Marling's mesmerizing voice. She admitted to being bad at banter and well we of course helped her out. The audience was rowdy and "lively, for a Laura Marling concert." She was delightfully and surprisingly awkward and coy for such a talented artist with a gift for storytelling through songwriting.
She was accompanied by four other musicians, a multi-instrumentalist / percussionist, a pianist and guitarist, a celloist and upright bassist filled out the stage.
Midway though the set everyone left the stage and Laura played several songs unaccompanied. These were my favourite moments of the entire show. It shows her talent and blatant skill in songwriting. Just brilliant.
Favourite moments include Laura Marling introducing her band mates and stating that each one had prepared an interesting fact that they would share to make up for their lack of banter, it was hilarious.
A memorable moment for me was her performance of "What He Wrote" from her 2010 release 'I Speak Because I Can.' Her music has always been something that has been able to turn my stomach into knots and at the same time, lull me to sleep.
Laura Marling - Hope In The Air at The Commodore Ballroom
Commodore Ballroom
June 27th, 2012
Doors 8 / Willy Mason 9:30 / Laura Marling 10:30
In the hours leading up to Laura Marlings' show, I tried to eat a proper meal but didn't have any appetite; I was too excited to finally see her headline a show. The Commodore Ballroom is a suitable venue for her droning and melodic folk tunes and acoustic songs.
I arrived just past 9pm and noticed that the floor was nearly empty. I walked straight to the front of the stage and planted my feet just a couple feet from where Laura would shortly be. I met a few fans who came down from Yellowknife and the Island just to see the show. That shows dedication, and well they respectively deserved their positions at the front of the stage.
Laura Marling looked lovely in her vintage red and white floral dress and white sneakers. She perched herself on her stool and launched into her first song. The audience was rowdy with excitement but was quickly hushed to a pin-drop silence with Laura Marling's mesmerizing voice. She admitted to being bad at banter and well we of course helped her out. The audience was rowdy and "lively, for a Laura Marling concert." She was delightfully and surprisingly awkward and coy for such a talented artist with a gift for storytelling through songwriting.
She was accompanied by four other musicians, a multi-instrumentalist / percussionist, a pianist and guitarist, a celloist and upright bassist filled out the stage.
Midway though the set everyone left the stage and Laura played several songs unaccompanied. These were my favourite moments of the entire show. It shows her talent and blatant skill in songwriting. Just brilliant.
Favourite moments include Laura Marling introducing her band mates and stating that each one had prepared an interesting fact that they would share to make up for their lack of banter, it was hilarious.
A memorable moment for me was her performance of "What He Wrote" from her 2010 release 'I Speak Because I Can.' Her music has always been something that has been able to turn my stomach into knots and at the same time, lull me to sleep.
Laura Marling - Hope In The Air at The Commodore Ballroom
Wednesday, May 30, 2012
Tearz For Animals.
Antony Hegarty’s voice has the ability to quieten any room it touches. This collaboration with eclectic sister act CocoRosie works so well in its
majestic, yet ethereal quality.
"Do you have love for humankind?"
"Do you have love for humankind?"
Monday, May 7, 2012
We Are On Fire
CocoRosie - We Are On Fire
I don't know how I feel about this song just yet.
It has to grow on me and who knows, it might end up being a favourite.
I don't know how I feel about this song just yet.
It has to grow on me and who knows, it might end up being a favourite.
Wednesday, April 11, 2012
Laura Marling.
Andrew Bird with Laura Marling
Vogue Theatre
April 10, 2012
I bought a ticket to this show specifically because I saw that Laura Marling was opening for Andrew Bird. I don't particularly love Andrew Bird's music, although I do appreciate it.
Laura Marling's 30 minute set made the whole show worth the while.
Standing centre stage with her acoustic guitar, she graced us with her awkward stage banter; but delighted us with her incredibly soulful and haunting songs.
I had been waiting a long time to see her live.
She played a personal favourite "Rambling Man" off of her 2010 release "I Speak Because I Can" after an enthusiastic fan requested it.
This is another one of my favourites. "Hope In The Air"
Andrew Bird was nothing short of entertaining.
I wasn't familiar with his work and I saw why many would be drawn to his sound.
I wasn't particularly invested in this show... I suppose you could say Laura Marling stole the show.
For me anyway.
Vogue Theatre
April 10, 2012
I bought a ticket to this show specifically because I saw that Laura Marling was opening for Andrew Bird. I don't particularly love Andrew Bird's music, although I do appreciate it.
Laura Marling's 30 minute set made the whole show worth the while.
Standing centre stage with her acoustic guitar, she graced us with her awkward stage banter; but delighted us with her incredibly soulful and haunting songs.
I had been waiting a long time to see her live.
She played a personal favourite "Rambling Man" off of her 2010 release "I Speak Because I Can" after an enthusiastic fan requested it.
This is another one of my favourites. "Hope In The Air"
Andrew Bird was nothing short of entertaining.
I wasn't familiar with his work and I saw why many would be drawn to his sound.
I wasn't particularly invested in this show... I suppose you could say Laura Marling stole the show.
For me anyway.
Monday, February 27, 2012
Alabama Shakes
Alabama Shakes + Quiet Life
Media Club
January 29th, 2012
Soul vocals, blues rock, amazing ambiance, receptive audience.
Did I mention soul vocals?
Rockabilly sounds that should be mandatory for everyone.
It's educative. It cleanses the soul.
I was blown away by their performance and the sold out crowd showed their appreciation for the blues band.
Media Club
January 29th, 2012
Soul vocals, blues rock, amazing ambiance, receptive audience.
Did I mention soul vocals?
Rockabilly sounds that should be mandatory for everyone.
It's educative. It cleanses the soul.
I was blown away by their performance and the sold out crowd showed their appreciation for the blues band.
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